Korean American tenor Adam Diegel regularly earns international acclaim for his impassioned dramatic sensibilities, powerful voice, and for his classic leading man looks. From a performance as Cavaradossi in Tosca at Glimmerglass Opera, Opera News raved: “The opera became a showdown between Adam Diegel’s impulsive, shaggily handsome Cavaradossi and Lester Lynch’s fearsome, animalistic Scarpia… (Diegel’s) spacious, Italianate tenor…delivered a stirring ‘Recondita armonia’ and built ‘E lucevan le stelle’ masterfully from hushed intimacy to an unfettered cri de coeur.”
Adam Diegel made his Metropolitan Opera début as Froh in Robert Lepage’s landmark production of Das Rheingold conducted by Maestro James Levine, and later reprised the performance under Fabio Luisi. Further appearances at The Met include Pinkerton in Madama Butterfly under Plácido Domingo and Ismaele in Nabucco under Paolo Carignani.
Other notable recent U.S. engagements include: Pinkerton in Madama Butterfly at Atlanta Opera, Fort Worth Opera, Arizona Opera, Opera San Antonio, and Kentucky Opera; Ismaele in Nabucco at The Metropolitan Opera and at Opera Philadelphia;
Cavaradossi in Tosca at Vancouver Opera, Palm Beach Opera, Glimmerglass Opera, Seattle Opera, Opera Santa Barbara, and Arizona Opera;
Don José in Carmen at San Francisco Opera, Glimmerglass Opera, Opera Theatre of St. Louis, Florida Grand Opera, Arizona Opera, and Madison Opera; and Rodolfo in La Bohčme at Teatro Nacional Eduardo Brito (Dominican Republic), Minnesota Opera, Opera Omaha, The Princeton Festival, and Pensacola Opera.
He has also performed Froh in Das Rheingold and Narraboth in Salome, both with the Atlana Opera.
Other international appearances include: Don José in Carmen at English National Opera, Lithuanian National Opera and at Opera Australia’s Handa Opera on Sydney Harbour; Pinkerton in Madama
Butterfly with West Australian Opera (Perth Australia), Opera Hong Kong, Lithuanian National Opera, The Savonlinna Opera Festival, and on tour in China at the Guangzhou Opera House in Anthony Minghella’s acclaimed production;
Don Carlo at Lithuanian National Opera.
Maurizio in Adriana Lecouvreur at The National Theatre in Budapest, where he later performed
Cavaradossi in Tosca; and David Alden’s new production of Luisa Miller for Opéra National de